Mclusky

School's out for summer! Apparently even for people studying to get their PhD in Philosophy. With his newfound free time, Andy turned to making this playlist on the bygone Welsch rock trio Mclusky. Check it out and discuss in the comments.

The first time I heard Mclusky was when a friend of mine sent me the first two albums, My Pain and Sadness is More Sad and Painful Than Yours and Mclusky Do Dallas, with the message, "This band sounds kinda like the Pixies. Except not at all." And I can see what he meant. This band sounds nothing like the Pixies, at all. If anything, they are indebted to the Albini sound (Albini even having produced their last two albums), yet there is something to the band's crass delivery and penetrating guitar sound that at least conjures up a passing thought of the Pixies. But any references aside (as none will really fit), most of all, when listening to Mclusky's three albums and handful of EPs, you get the feeling that, really, the band doesn't like you, personally, and certainly doesn't give a fuck if you like the music they play.

But that doesn't mean they're not having fun. With track titles like "The World Loves Us and Is Our Bitch," or "Dave, Stop Killing Prostitutes" (neither of which are included here), there's certainly a sharpened, caustic humor that comes with the band's abrasive rock. But, with all this introduction, all I can really cogently say is that this band is fucking amazing.

This playlist is not quite as comprehensive as I might have liked it to be - gone are a couple of B-sides that didn't really fit the mold, and a few album tracks that are favorites of mine, but just don't need to be included here. That being said, I still failed at getting any sort of flow going with this mix, hard as I tried. I've also ignored the two bands that came out of the now-defunct Mclusky, those being Future of the Left and Shooting at Unarmed Men. We'll save that mix for another day. But for now, enjoy Mclusky.

1) Lightsabre Cocksucking Blues / Mclusky Do Dallas / 2002
2) That Man Will Not Hang / The Difference Between You and Me Is That I'm Not On Fire / 2004
3) Friends Stoning Friends / My Pain and Sadness Is More Sad and Painful Than Yours / 2000
4) Whoyouknow / Mclusky Do Dallas / 2002
5) There Ain't No Fool In Ferguson / There Ain't No Fool In Ferguson EP / 2003
6) 1956 And All That / The Difference Between You and Me Is That I'm Not On Fire / 2004
7) Why I Don't Believe In You / Joy EP / 2000
8) To Hell With Good Intentions / Mclusky Do Dallas / 2002
9) Flysmoke / My Pain and Sadness Is More Sad and Painful Than Yours / 2000
10) Gareth Brown Says / Mclusky Do Dallas / 2002
11) She Comes In Pieces / My Pain and Sadness Is More Sad and Painful Than Yours / 2000
12) Rock Vs. Single Parents / My Pain and Sadness Is More Sad and Painful Than Yours / 2000
13) Collagen Rock / Mclusky Do Dallas / 2002
14) She Will Only Bring You Happiness / The Difference Between You and Me Is That I'm Not On Fire / 2004
15) Icarus Smicarus / The Difference Between You and Me Is That I'm Not On Fire / 2004
16) No Covers / To Hell With Good Intentions EP / 2002
17) Without MSG I Am Nothing / The Difference Between You and Me Is That I'm Not On Fire / 2004
18) What We've Learned / Mclusky Do Dallas / 2002
19) Alan Is a Cowboy Killer / Mclusky Do Dallas / 2002
20) Medium Is the Message / My Pain and Sadness Is More Sad and Painful Than Yours / 2000

Total Time: 53:03

Phoenix

Before Pitchfork made it cool to like Kylie Minogue and Justin Timberlake, Phoneix boldly mixed R&B grooves, dance beats, and indie rock guitar riffs to create some terrifically catchy pop songs. Since 2000, the band has released four good-but-not-great albums. The band's debut record, United, is its least cohesive album, and is probably best known for featuring the single "Too Young," which was used in both "Lost in Translation" and "Shallow Hal." Alphabetical, the band's second release, drips with sensuality and swagger, and showcases Phoenix perfecting its unique blend of R+B-influenced pop-rock. The band shifted gears on my favorite Phoenix album, It's Never Been Like That, which features more guitar-driven, heart-on-the-sleeve indie stompers. Phoenix's fourth album, Wolfgang Amadeus Phoenix, will be released on May 26th.

Each of these albums contains two-to-four excellent upbeat numbers, and I've collected these gems into a short playlist. It should make for some great summertime listening.

1. Consolation Prizes / It's Never Been Like That / 2006
2. 1901 / Wolfgang Amadeus Phoenix / 2009
3. Too Young / United / 2000
4. Run Run Run / Alphabetical / 2004
5. Fences / Wolfgang Amadeus Phoenix / 2009
6. Long Distance Call / It's Never Been Like That / 2006
7. Lisztomania / Wolfgang Amadeus Phoenix / 2009
8. Everything Is Everything / Alphabetical / 2004
9. Courtesy Laughs / It's Never Been Like That / 2006
10. If I Ever Feel Better / United / 2000
11. (You Can't Blame It On) Anybody / Alphabetical / 2004
12. Sometimes In A Fall / It's Never Been Like That / 2006

Total Time: 44:55

Richard D. James (AFX, Aphex Twin)

Dana took a break from her own blog to drop this Richard D. James (aka Aphex Twin) playlist. Check it out and let her know what you think in the comments.

Remember when people thought "jungle" was the bomb and wearing glowing latex was cool? Think of a 17-year-old boy with a septum piercing, green hair, and vinyl pants telling you "Yo, the Future Sound of London is my favorite band!". Oh ew. When I tell people I like Aphex Twin, many look at me like I just said something so terribly unfashionable as the above statement. Yet, Aphex Twin--Richard D. James's most common and best known pseudonym--has put out several records that do not fit under the acid-rave analogous to NIN remixes sound he may be best known for in the mainstream.

Yeah, there was that "Come to Daddy" video directed by Chris Cunningham. And that harsh "Ventolin" series involving themes of extreme asthma (again, ew). Ignore that for a sec, because James has put out some of the most beautiful, complex and challenging ambient, minimalist techno, and IDM (Intelligent Dance Music) in the last twenty years. I will argue (along with many others) that his masterpiece is Selected Ambient Works Volume 85-92, a crystal clear, perfectly nuanced and calculated (from start to finish) update of the Eno sound with some serious percussion and dance beats. His follow up Selected Ambient Works Volume 2 is so sound-scape driven that it has not attracted as many followers as the first album and yes, it certainly needs several listens to fully engage with it. But when you do get to that point it is satisfying in a way that few albums are. Classics, a compilation album of sorts, also has tracks that fit into the magic mix; in it you can hear his influence on new techno artists like Ellen Allien and Gui Buratto, to name a few.

After the mid to late 90s period of horrid rave culture passed, James made an album that updates John Cage and Eric Satie's experimental composition work, 2001's drukqs. This album has hardly any bleeps to be heard. Instead James utilizes a "prepared piano" to make tarnished melodies (which were, it is notable, used to good cinematic effect in Sofia Copella's film Marie Antoinette). drukcs is so scaled down and gorgeously minimal that it brings to mind contemporaries Max Richter or Eluvium.

I have not included anything off the Come to Daddy EP, Richard D. James or …I Care Because You Do, because I don't feel the songs on those albums really capture the James that I want to share with Yahplay--and honestly, everyone has heard "Girl/Boy" on Bank of America commercials already, right? I have, though, included a song from one of James' less known pseudonyms, AFX. "Every Day"--one of the best examples of James' mastery of voice sampling-- is literally what it would have sounded like if Riot Grrl met minimalist techno in a Ecstasy dream in 1993. It sounds horrible but the song is great, I promise!

1) Every Day / AFX- Hangable Auto Bulb /1995
2) Polynomial-C / Aphex Twin- Classics / 1995
3) Bbydhyonchord / Aphex Twin- drukqs / 2001
4) Petiatil Cx Htdui / Aphex Twin- drukqs / 2001
5) Jynweythek Ylow/ Aphex Twin- drukqs / 2001
6) Xtal / Aphex Twin- Selected Ambient 85-92 / 1992
7) Ptolemy / Aphex Twin- Selected Ambient 85-92 /1992
8) Rhubarb / Aphex Twin- Selected Ambient Works, Vol, 2 / 1994
9) Corrugated Tubing / Aphex Twin- Selected Ambient Works, Vol, 2 / 1994

Total Time: 42:23

Bedhead / The New Year

This isn't right. I feel like I've just made the Now That's What I Call Bedhead! Vol. 1 mix. I've taken Matt and Bubba Kadane's meticulously crafted and deliberately paced albums and plundered them for the "hits." Way to go me.

Anyway, this is a collection of songs culled from the six albums of the Kadane brothers' two bands, Bedhead and The New Year. Their first band, Bedhead, started out as a slowcore outfit from Texas in the early '90's, with a sound that drew comparisons to Low and Galaxie 500. Specifically, they had both the morphine drip tempos and hushed vocals of Low and the intricate (and occasionally explosive) guitar textures of Galaxie 500. Turned out to be a pretty magical combination. All three of the band's albums received heaps of critical praise, but, from what I gather, Bedhead never managed to gain much exposure beyond the college radio circuit. In the 2000's, after Bedhead called it quits, the Kadanes roped in three fellow indie rock vets to form The New Year, which picked up right where Bedhead left off. The New Year have moved forward by dropping the alt-country and atmospheric post-rock leanings that helped to make Bedhead so enigmatic, and have instead bumped up the levels on Matt Kadane's vocals and created music that's become increasingly accessible and emotional, but not the least bit compromising.

So back to feeling weird about this mix. I think this sense of defacing a great band in trying to honor it is something that will be inescapable with some of these Yahplay mixes. No getting around it. One of the reasons I loved/love these two bands so much is that they clearly put so much thought into crafting proper albums. So, in that sense, it's impossible to give an accurate snapshot of the Kadanes' music in this type of format.

Much like Chris did in his Galaxie 500 mix, I tended to go for the louder, more immediate songs from the Bedhead/The New Year catalog, which results in a trade-off. Some of the bad: "The Newness Ends" can't possibly have the cathartic effect it does at the end of the New Year's debut, and some of the majesty that "The Present" brings to Bedhead's most understated album, Transaction de Novo, is inevitably lost. The good: Jesus Christ, these guys have some amazing songs, and I think the best are included here.

1) Folios / The New Year- The New Year / 2008
2) The Rest of the Day / Bedhead- Bedheaded / 1996
3) Living Well / Bedhead- What Fund Life Was / 1994
4) Withdraw / Bedhead- Bedheaded / 1996
5) The Unpredictable Landlord / Bedhead- What Fund Life Was / 1994
6) The Newness Ends / The New Year- Newness Ends / 2001
7) Extramundane / The New Year- Transaction de Novo / 1998
8) MMV / The New Year- The New Year / 2008
9) Romand Candle / Bedhead- Bedheaded / 1996
10) To the Ground / Bedhead- What Fund Life Was / 1994
11) Age of Conceit / The New Year- The End is Near / 2004
12) Lepidoptera / Bedhead- Transaction de Novo / 1998
13) Alter Ego / The New Year- Newness Ends / 2001
14) The Company I Can Get / The New Year- The New Year / 2008
15) The Present / Bedhead- Transaction de Novo / 1998
16) 18 / The New Year- The End is Near / 2004
17) Wind Down / Bedhead- What Fund Life Was / 1994

Total time: 72:59