
Somewhere between late nights spent gigging around LA behind the drum kit of the two-piece minimal post-punk outfit Cinder Cone, and early mornings spent turning the wheels of industry as a financial analyst, Foley found the time to put together this playlist chronicling the bands of the mighty Steve Albini.
Steve Albini is well known for a lot of reasons. He is a prolific sound engineer and runs his own studio in Chicago. He is outspoken and has a history of being provocative, particularly when talking about musicians, bands, and major labels. Most importantly for our purposes, he is/has been the guitarist/vocalist for three bands: the drum machine powered Big Black (1982 – 1987), the unfortunately named Rapeman (1987 – 1988), and the thankfully still touring Shellac (1992 – present). June 20th and 21st in Los Angeles. Yes.
This post will attempt to introduce Albini’s work as a musician. I tinkered with the idea of creating a playlist to cover his work as a producer but realized that a) the playlist would end up being several hours long and b) I’d end up having to include a very wide range of artists including Nirvana (he recorded In Utero), the Jesus Lizard, Joanna Newsome, Oasis, and Bush (yes, of the Gavin Rossdale, 16 Stone variety…although he didn’t record that album)
This playlist tracks each of Albini’s bands in chronological order. Big Black is arguably the most famous of the three, backed by a drum machine (aptly named “Roland”). Most of the songs were fast, raw, and abrasive. The lyrics were dark, disturbing, and sometimes offensive. For a comprehensive history, read the Big Black chapter in Michael Azerrad’s Our Band Could Be Your Life. As for the 4 songs here, I included them because, well, I like them the best.
Rapeman took the abrasive sound of Big Black, added a human drummer (Rey Washam of Scratch Acid), and decided on a horribly offensive name (apparently taken from a Japanese comic book). Although the name seems to be what got most people’s attention in the late 1980s, the band’s only album is actually very good. 3 songs from Two Nuns and a Pack Mule appear in the playlist.
Albini’s long-running, current project is Shellac. Shellac is abrasive but decidedly minimalist. There is a distinct space between each instrument (Albini on guitar, fellow sound engineer Bob Weston on bass, and professional drummer/hair stylist Todd Trainer on drums) that defines their sound. They’ve released 4 full length albums since 1994. I’ve taken a couple songs from each record. I’ve also added a live version of “End of Radio” because I think it’s better than the one that ended up on Excellent Italian Greyhound. I’ve also included a track off of one of their early EPs, “Wingwalker”, which continues to be a favorite at live shows.
In addition to the playlist below I have attached two links:
The first is a link to the website for Albini’s Electrical Audio studio in Chicago. If you’re a musician, or a geek, or both, it’s worth exploring.
The second is a random thread sent to me a couple years ago, in which Albini answers any and all questions about music, bands, and playing poker. Yes, it’s really him. Please enjoy.
1) The Power of Independent Trucking / Big Black- Songs About Fucking / 1987
2) Passing Complexion / Big Black- Atomizer / 1986
3) I, Dopa / Big Black- Song About Fucking / 1987
4) Stinking Drunk / Big Black- Atomizer/ 1986
5) Steak & Black Onions / Rapeman- Two Nuns and a Pack Mule / 1988
6) Monobrow / Rapeman- Two Nuns and a Pack Mule / 1988
7) Budd / Rapeman- Two Nuns and a Pack Mule / 1988
8) My Black Ass / Shellac- at Action Park / 1994
9) Crow / Shellac- at Action Park / 1994
10) This is a Picture / Shellac- Terraform / 1998
11) Copper / Shellac- Terraform / 1998
12) Wingwalker / Shellac- Uranus EP / 1993
13) Ghosts / Shellac- 1000 Hurts / 2000
14) Watch Song / Shellac- 1000 Hurts / 2000
15) End of Radio / Shellac- Live Version / 2006
16) Paco / Shellac- Excellent Italian Greyhound / 2007
Total Time: 64:14